Whither Whisky Wind-down?

By far the most popular series I’ve written here is Whisky Wind-down.

The original, set in 2016, was my way of combining my love for whisky, my disdain for the events of 2016, and my fascination with advent calendars.

The result? 31 days of drinking, talking about random things, and really enjoying my own words again.

Through 2017, my writing tapered off again, but I got fired up at the end of the year, and I once again laid down a month’s worth of (almost completely consecutive) posts, even though I spent the last few days of that year traveling around Costa Rica.

Then the silence. I still haven’t explained that (and am perhaps inclined not to?) but for the next twenty months the newest post on the site remained 2017 Whisky Wind-down, 1: Life’s a Beach.

For all you knew, I had died on that beach. Or decided to live on it.

Anyway, I didn’t.

I spent the next year not writing here, and when December 2018 rolled around, a few people — I have fans! Tens of them! — wrote to me when Whisky Wind-down didn’t start that year. I told them (truthfully) things had been difficult but I still planned (honestly, I planned) to write a reduced 2018 Whisky Wind-down. At first I thought it would just have a late start. Then a late start became “maybe a top 10 list,” which became “maybe just one good, long post to wrap the year,” which became 10 months not writing anything at all here.

Well, I’m writing here again. And whether I ever get around to properly explaining the time I wasn’t writing here, I am, right now, enjoying myself again.

And I still drink whisky.

It’s my pleasure, therefore, to tell you to expect, in the coming days, Whisky Wind-down The Third: The Saga Continues, Following A Hiatus That Will Likely Not Be Elaborated Upon During This Series, Though You May Read With Eagerness Just In Case I Change My Mind, Or, Just, You Know, Read It Because You Like Reading Whisky Ruminations.

I’ll call it 2019 Whisky Wind-down, for short.

The Memoriam Meal

I don’t know that I can ever write, or need to, about this day as well as I did three years ago.

Those words I wrote that day got to the heart of what November 11 is for me.

But here I am, feeling like a writer again, three years later, and I have things I can still tell you about this day and how it still pulls at me, 28 years after it broke me.

It has become my recent custom, on this day, to spend the morning in as much of a meditative state as time and circumstances allow. The last couple of years the day has fallen on a weekend, and The Empress of Whisky has, knowing me well, quietly taken herself away, to a long trail on a mountain somewhere, living in her happy place while I dwell in my sad one.

Except …

The sadness fades. After 28 years, I don’t have much left of despair, and the anger ended quickly, for what is there to be angry about in this? We all die, thousands of us daily, and to be angry at this fact is to court a kind of madness. I have enough madness, thank you.

But the sadness fades, I write, with tears pulling at the corners of my eyes, telling myself they are there because I have been fighting sickness this day, much like I did that first day. It’s just the virus,  making my eyes water, I say to myself, as I pause the key-clacking to dab at them. Just that, nothing more.

Nothing more.

It could be that. I could be done with this, I try to tell myself, as the day approaches every year, but no. Never. I don’t really want that. I don’t know, at this point, who I would be without these melancholy days  that fall, as they do, perfectly upon the onset of crisp autumn, following on the heels of All Hallows Eve and Día de Muertos.

I learned, a few years ago, that one custom of Día de Muertos is cooking favorite foods of the deceased. I learned this after I had first prepared, on this day, the meal I am about to describe, and I felt as though I had intuited something before learning it, which is a magical feeling, the kind of feeling I need, to get through this day year after year.

My great-uncle was a decent cook.

He’d been cooking for himself for the latter years of his life, at least, though I got the impression he learned earlier. I don’t know. It’s one of so many things I never thought to ask.

Being a Southerner, through and through, his meals reflected that, in technique and ingredients. It’s not that fancy cooking hadn’t been invented or hadn’t reached the South; the old-timers — and he was one — just hadn’t found a use for it.

Still, I imagine sometimes explaining to him my method for cooking a traditional Southern dish — pulled pork shoulder — using a sous vide technique. It would either blow his mind or delight him, maybe a little of both.

But I digress. The meal, I promised.

Start with the tea. Always, the tea.

In a stainless steel stock pot (5-6 quarts is ideal), toss two family size tea bags (Tetley, please) and about a gallon of water. Turn your burner to high and wait. Don’t go far. Eventually, finally, the water will hit a slow boil. Immediately cut the burner off. (Any longer at a boil will draw too much bitterness from the tea leaves). Let it sit a bit, maybe poke the floating tea bags. Then, carefully, with a slotted spoon, withdraw each bag, and give it a gentle press with the back of another spoon to push most of the liquid out. Discard the bags. (Or, if you have a compost pile, as my great-uncle did, save them to add to it.)

Now comes the sugar. If you use less than two heaping full cups of granulated white sugar, you are doing this wrong. The heat of the tea will do most of the work for you, but give it a few stirs to make sure it all dissolves properly.

Now, when he did this, and I was around, my impatience usually got the better of me and I wanted tea right away. He would usually accommodate me, pouring a half-glass or so (the better to cool quickly) into the plastic Superman mug he kept for me to use at his house.

I didn’t realize until much later in life that the reason I like hot tea — a very un-Southern thing to do — is because of this erstwhile ritual.

So, these days, I scoop myself a mug’s worth — Superman is long gone, so one of our Starbucks city mugs must stand in — and resist the urge to sip until it has cooled enough not to burn. (I am not always successful at this.)

Tea at hand, we’re ready to proceed.

Black Top canned pink salmon. No other brand. (I don’t know what the others are like, and I see no reason to deviate from how it was, and always must be, done.)

Your hands are going to get messy. Accept this. (It’s hard for me, to be honest.)

Open a can (or two), and carefully drain the liquid into a bowl.

Begin to ignore the interest of Cat, who will have shown up by now, sitting in her watching spot outside the kitchen door, even if she were comatose upstairs five minutes ago. (I will later give her a few sips worth, but only that, as the liquid is far too rich for her delicate digestion.)

Deposit the fish into a separate bowl and begin the delicately tedious process of pulling out the unwanted bits — spine bones, skin, the odd fatty bit. (The canning of salmon is not exactly neat. And while some people are fine mixing all these bits in, I do it the way  I learned, which is the right way, even in a poor family, to make the best patties.)

Once you have the fish separated, crack an egg (per can) into the bowl. Mix with hands. Now go wash those hands. As usual, you forgot to get the cornmeal ready earlier.

I use Dixie Lily yellow cornmeal. I can’t say, with certainty, that’s what he used, but it’s appropriate here, being a Southern pantry staple.

A word here about rice. I have forgotten the rice. This is probably what will really happen, as I prepare this meal a few hours from now. I am bad at stovetop rice. It’s a failing I cannot seem to overcome. Always too soggy or with crunchy bits still in. My great-uncle made flawless stovetop rice every time. He could also grow any plant to great success. I did not pick up either of these traits. And while I cannot overcome my failings in the garden, I can get rice right, using the technological marvel that is a rice cooker.

Anyway, start the rice while your hands are still clean. It will probably get ready on time, or a little after.

Now add that cornmeal. Try your best to eyeball the right amount. (Measuring is no use here, I’ve learned). Mix with your hands. When you inevitably need to add more, go wash your hands and get ready to grab that dry good again for the second addition.

When the mix feels right — sorry, this is all feel; I can’t explain it — leave it. Pull out the cast iron.

Now, a word here about cast iron. If you don’t have it, just don’t bother with any of this. Is it 100% necessary to get this dish right? Yes. Because we are not just going for a final food quality; we are also going for a resonance with the past. My great-uncle never cooked on anything other than cast iron because he never owned any other type of pan. (Pots, yes, and other kitchen implements as well, but he had a pair of cast iron pans that were the workhorses of his kitchen. I do not know what became of them, and that makes me sad.)

You could use canola oil, but why mess with tradition? Melt a decent blob (a third-cup or so) of Crisco shortening in your cast iron pan. Heat to medium.

Start forming patties. Toss a fleck into the pan to see if the grease is ready. (Yes, I am using the term “grease” because that’s how he referred to it, and it is such an old Southern way of describing hot oil that just feels so right today.)

Fry, flip, fry, drain on paper-towel lined plate.

When they’re done, let them rest while you put a can of LeSueur English peas on to warm (with a generous pat of butter and dashes of salt and pepper).

That’s it. You could pair with some canned corn (whole kernels, please) or add a bread like Jiffy or (a childhood favorite) Pillsbury canned biscuits, but you’ve done the essentials that were part of this meal every time he ever made it, and now I remember so many of those times — lazy Saturday afternoons or the occasional Friday night when my parents were on date night and he babysat me and my younger sister. (Aside: She does not like fish, any kind, so he would always make her a small burger instead. Love, people.)

When it comes time to dine today, I think I will do so while watching one of those old movies we enjoyed together.

I’m thinking this year it will be Flash Gordon.

Whisky Wind-down, 1: Life’s a Beach

A pair of hands hold mini-bottles of Maker's Mark bourbon. In the background, rain begins to fall on a tropical beach.

Today’s dram: Maker’s Mark

Today’s tasting notes: This is an old favorite. A classic for a reason. Well made to the same standard for better than a century. Good, warm, just enough bite.

Bourbon is an American creation. Today, it’s a reminder to me. Of home, when I’m away from it. And of the good things there that make it worth going back to.

Mostly that’s people, of course. Family. Friends. Friends who are like family.

But also ideals. Liberty. Equality.

We may fail, often, and years like 2017 may make us question the strength of our society and its commitment to those ideals, but we endure.

Today’s thoughts: Privilege. I acknowledge it. From a beach in another country, together with like-minded friends, I prepare to watch a new year roll in, and I know, within a reasonable margin of error, I’ll be fine in the coming year.

I didn’t feel this way as this year began. I felt quite a lot of trepidation, in truth. And 2017 has not been a year to be proud of, as an American.

Or, bluntly, for me as a writer, as someone who feels compelled to speak up, speak out, but all too often fails, allowing inertia, apathy, and whisky to prevail in place of the long, difficult slog that is activism.

Will 2018 be better?

I don’t know.

But as I sit on a tropical beach, miles away from responsibility and stress, I still find my thoughts turning toward all the things I could have said and done better this year, and I’m not ready to leave off just yet.

Today’s observation on the weather: It rained pretty hard for a couple of hours today, eventually driving most everyone away from the beach, and throwing kinks into the evening plans of locals and tourists alike.

That happens, even in tropical paradise.

But now it’s clearing, and the sun’s gone down, and plans will be re-configured, or new ones made.

Time will roll on, weather and human perceptions of its passage notwithstanding.

Today’s toast: To tomorrow. Always tomorrow.

Whisky Wind-down, 6: Rest Ye Weary Dead

A bottle of The Sexton single malt Irish whisky sits next to a glass filled with same, on a mantel with red holiday garland.

Today’s dram: The Sexton, single malt Irish whisky

Today’s tasting notes: Aroma is sweet and woodsy. Flavor is smooth and slightly sweet, with a warming bite in the finish.

It’s different. I don’t drink a lot of Irish single malts — they’re not terribly common, compared to Scottish single malts — but I enjoy one now and again, especially as they are a departure from standard Irish whisky. This one reminds me a bit of Highland Scottish whisky; probably I’m drawing that comparison from the sherry cask aging used here.

All in all, it’s enjoyable; I’ll probably keep this around for a cold night by the fire. Or, perhaps, I’ll fill a flask for company on a particular walk.

Today’s thoughts: The bottle lore on this one speaks of a graveyard by the River Bush, from which you can sometimes detect the aroma of distilling spirits.

It’s been awhile since I’ve walked a graveyard, but it was an old hobby of mine.

It’s an autumn sort of hobby, the sight of nature in decline serving to accentuate the stark stone reminders that mark our mutual finish line.

Works in winter, too, though. Then the cold breeze bites and the empty trees shiver, and everything says your time will come, too.

Many years I’ve sought such places in these final days of the year, when the festivities fast fade and the year’s last gasp is in the air.

It’s quite the melancholy week — a transitory time fit for reflecting upon the expiring year, all its good, all its ill.

It all starts again soon enough.

Today’s toast: To the dead: beyond the need for a dram, past all ambitions great or small, gone from the wheel.

2017 Whisky Wind-down, 30: Wrecked

[Note: If you’re new, catch up at the 2017 Whisky Wind-down Primer.] 

—–

A bottle of Ardbeg Corryvreckan lies on its side, apparently empty, its cork a filled whisky glass nearby. These items are arranged near a keyboard and a computer monitor. On the monitor is writing about whisky.

Today’s dram: Ardbeg, Corryvreckan

Today’s tasting notes: This is cask-strength, big Islay whisky at its finest, and it’s where I left off last year.

I am tempted, by both laziness and a love of my own words, to just repeat the description I wrote last year, but that would be a disservice to you, me, and this cask-strength 57.1 ABV monster.

Really, calling it a monster is another sort of disservice. A kraken is a monster. A corryvreckan is a swirling whirlpool about which a kraken might feel a trifle anxious.

As an anxious person whose sigil is squid, I find this whisky delightfully appropriate.

Much like its namesake, the whisky is a complex swirl. Sometimes I get straight campfire in the aroma, followed by a woodsy burning on the palate. Other times, it’s brine in my nose and saltwater burn on my throat. I can’t say it’s the same thing every time I try it. It’s shifty, spiraling on my palate and in my mind, and that’s why I keep coming back to it.

I know my perception is influenced by the name and legend, but isn’t that part of the point? If labeling and legend don’t matter, just buy a bottle of Fermented Grain and call it a day.

I remember my first dram of this one, taken in the kitchen of an old friend. I’d gifted him the bottle, which he immediately opened and poured, and we were both blown away. I’d bought it on reputation alone, and we were both expecting … something. What we got was a punch in the mouth, but one that left us refreshed and searching.

Today’s thoughts: Here’s where I tell you the plan that didn’t come to fruition.

Last year, I had this bottle set aside for the conclusion of 2016 Whisky Wind-down. My intent was to take it with me to an annual New Year’s Eve party hosted by some lovely friends of mine, at which I would share it, wax philosophic about it, and generally commiserate with like-minded folk over the wretched year ending and the one to dread ahead.

I would have written the post, published it, then perhaps added updates as the night wore on and the year wound down.

Alas, I got sick instead. A few days shy of the end of the year, actually. And it wore down my enthusiasm for writing, as well as my capacity for fully experiencing whisky.

I didn’t miss any posts, but I still feel those last few were not what I wanted them to be. Granted, little of my published work is ever what I wanted it to be. There’s a disconnect between thoughts, writing, and publication that I shall never put together to my satisfaction. Frankly, I don’t know how any writer does. I don’t know if the ones who seem to are just the rare breed, or liars. I do know I once spent half an hour in the leasing office of my college apartment complex because I got writer’s block when the office manager asked me to write down my reason for not renewing my lease.

That’s … not really uncommon for me. The feeling, if not the outcome. Deadlines are good, if only because something will (usually) get done, but deadlines are horrible because whatever gets down will (usually) not be as good as it could have been.

Nothing ever is. Struggle, struggle, struggle.

And here, where there are no deadlines except my own, and I am the most lenient deadline-giver that ever there was … things don’t always get done.

What have I been doing all year, instead of writing?

Well, to be accurate, instead of publishing? I’ve written. My drafts folder rivals the size of the published folder.

But nothing’s ever good enough.

Let me explain, by going back to the bottle.

I’ve been nursing this one all year. In and of itself, that’s not unusual. I tend to keep whiskies around forever, pulling a dram now and then as the mood strikes, but acquiring new bottles at a far greater pace than emptying old ones.

But I’ve been at this one lately, reminding myself what it represents, why I’m compelled by it. I’ve been caught in a corryvreckan for over a year, treading water, going with the flow.

I want to find the optimism with which I pretended to face this year, the hope with which I believed I could still proceed, the faith in certain people …

But, no.

I stopped writing for a reason.

Reasons.

Beyond any particular personal failings (or illusions of such), I did not think a string of words mattered, anymore.

At some point, if you do not have common ground with people who are important to you … what?

Don’t misunderstand. I am as close as ever to almost everyone I care about. I have, even, to my own surprise, formed a few new friendships and found formidable firmness in some others already extant.

But.

I let some go. Others, I keep only beneath a modest shroud of shared pretense.

To be perfectly frank, I stopped writing here because some of the things I was compelled to write about threatened to pull that shroud right off.

Right.

Off.

But it’s a year later, and the world rolls on, and I’m still aboard, and growing bored, and, well, shit, what is a writer who does not write?

Today’s overwrought symbolism: Obvious, isn’t it?

Today’s pithy summation: Writers’s block is all in your head. Too bad you live in your head.

Today’s toast: To being back at the keyboard.