2017 Whisky Wind-down, 30: Wrecked

[Note: If you’re new, catch up at the 2017 Whisky Wind-down Primer.] 

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A bottle of Ardbeg Corryvreckan lies on its side, apparently empty, its cork a filled whisky glass nearby. These items are arranged near a keyboard and a computer monitor. On the monitor is writing about whisky.

Today’s dram: Ardbeg, Corryvreckan

Today’s tasting notes: This is cask-strength, big Islay whisky at its finest, and it’s where I left off last year.

I am tempted, by both laziness and a love of my own words, to just repeat the description I wrote last year, but that would be a disservice to you, me, and this cask-strength 57.1 ABV monster.

Really, calling it a monster is another sort of disservice. A kraken is a monster. A corryvreckan is a swirling whirlpool about which a kraken might feel a trifle anxious.

As an anxious person whose sigil is squid, I find this whisky delightfully appropriate.

Much like its namesake, the whisky is a complex swirl. Sometimes I get straight campfire in the aroma, followed by a woodsy burning on the palate. Other times, it’s brine in my nose and saltwater burn on my throat. I can’t say it’s the same thing every time I try it. It’s shifty, spiraling on my palate and in my mind, and that’s why I keep coming back to it.

I know my perception is influenced by the name and legend, but isn’t that part of the point? If labeling and legend don’t matter, just buy a bottle of Fermented Grain and call it a day.

I remember my first dram of this one, taken in the kitchen of an old friend. I’d gifted him the bottle, which he immediately opened and poured, and we were both blown away. I’d bought it on reputation alone, and we were both expecting … something. What we got was a punch in the mouth, but one that left us refreshed and searching.

Today’s thoughts: Here’s where I tell you the plan that didn’t come to fruition.

Last year, I had this bottle set aside for the conclusion of 2016 Whisky Wind-down. My intent was to take it with me to an annual New Year’s Eve party hosted by some lovely friends of mine, at which I would share it, wax philosophic about it, and generally commiserate with like-minded folk over the wretched year ending and the one to dread ahead.

I would have written the post, published it, then perhaps added updates as the night wore on and the year wound down.

Alas, I got sick instead. A few days shy of the end of the year, actually. And it wore down my enthusiasm for writing, as well as my capacity for fully experiencing whisky.

I didn’t miss any posts, but I still feel those last few were not what I wanted them to be. Granted, little of my published work is ever what I wanted it to be. There’s a disconnect between thoughts, writing, and publication that I shall never put together to my satisfaction. Frankly, I don’t know how any writer does. I don’t know if the ones who seem to are just the rare breed, or liars. I do know I once spent half an hour in the leasing office of my college apartment complex because I got writer’s block when the office manager asked me to write down my reason for not renewing my lease.

That’s … not really uncommon for me. The feeling, if not the outcome. Deadlines are good, if only because something will (usually) get done, but deadlines are horrible because whatever gets down will (usually) not be as good as it could have been.

Nothing ever is. Struggle, struggle, struggle.

And here, where there are no deadlines except my own, and I am the most lenient deadline-giver that ever there was … things don’t always get done.

What have I been doing all year, instead of writing?

Well, to be accurate, instead of publishing? I’ve written. My drafts folder rivals the size of the published folder.

But nothing’s ever good enough.

Let me explain, by going back to the bottle.

I’ve been nursing this one all year. In and of itself, that’s not unusual. I tend to keep whiskies around forever, pulling a dram now and then as the mood strikes, but acquiring new bottles at a far greater pace than emptying old ones.

But I’ve been at this one lately, reminding myself what it represents, why I’m compelled by it. I’ve been caught in a corryvreckan for over a year, treading water, going with the flow.

I want to find the optimism with which I pretended to face this year, the hope with which I believed I could still proceed, the faith in certain people …

But, no.

I stopped writing for a reason.

Reasons.

Beyond any particular personal failings (or illusions of such), I did not think a string of words mattered, anymore.

At some point, if you do not have common ground with people who are important to you … what?

Don’t misunderstand. I am as close as ever to almost everyone I care about. I have, even, to my own surprise, formed a few new friendships and found formidable firmness in some others already extant.

But.

I let some go. Others, I keep only beneath a modest shroud of shared pretense.

To be perfectly frank, I stopped writing here because some of the things I was compelled to write about threatened to pull that shroud right off.

Right.

Off.

But it’s a year later, and the world rolls on, and I’m still aboard, and growing bored, and, well, shit, what is a writer who does not write?

Today’s overwrought symbolism: Obvious, isn’t it?

Today’s pithy summation: Writers’s block is all in your head. Too bad you live in your head.

Today’s toast: To being back at the keyboard.

2016 Whisky Wind-down, 1: Strong Finish


Today’s dram: Ardbeg, Corryvreckan

Today’s tasting notes: Before I can describe the experience of drinking this, I need to tell you how I found it.

I owe my love of Scotch whisky to reading and friendship.

Principally, it’s due to one of my oldest, dearest friends. We’ve known each other about three-quarters of our lives, and over the course of that time we’ve been influencing one another in various ways, the most consistent of which is reading recommendations.

Several years ago, he recommended to me Richard Morgan’s Altered Carbon. Among other vices, the protagonist drinks Scotch whisky, with Laphroaig a favorite.

The writing made it sound good, so my friend picked up a bottle and has been collecting ever since. Whenever I visit his home, he brings out whichever bottle(s) he’s recently acquired and we enjoy a dram or two while catching up.

Lately, it’s been the same when he’s visited me. I was slow to pick up an enjoyment of Scotch whisky, but with time I’ve come to love it, and I take great joy in finding something before my friend does.

Thus, when he recently hit a milestone birthday, I turned to an author I was pretty sure he had not gotten around to yet, Joe Abercrombie. He writes grimdark fantasy, so Scotch whisky doesn’t appear in his fiction. But oh, does he go on about Scotch whisky on his blog.

I was pretty sure my friend would not be prepared for Abercrombie’s Whisky Deathmatch winner, Ardbeg Corryvreckan, and I was proven correct when I gave him the bottle.

Then he opened it, and we realized no one can be prepared for Ardbeg Corryvreckan.

This is cask-strength, big Islay whisky at its finest, with complexity galore added in.

At 57.1 ABV, it threatens to sear itself into your senses just on aroma. Fight through that. Inhale deeply. Find yourself in a peat bog on fire. Seek the ocean nearby. Promise of safety. Sip. Crashing. Waves overhead. Timbers around you. Someone screams. Darkness. Across from you, a hag in plaid smiles a broken-toothed smile and shakes her head at your foolishness. She gestures at the glasses laid out on her table. You toast. You drink. You wake. Gasping.

Today’s thoughts: A few months later, I thought, Shit, I need a bottle of that for myself.

It has been sitting, quietly, lurking at the back of the Scotch whisky shelf, waiting.

I’m still a bit under the weather, with diminished senses, but fuck it; I’m ending Whisky Wind-down the way I wanted.

The tasting passage above is half-memory, half bowled-over-just-now.

Wow.

Just, wow.

The Corryvreckan, if you are unfamiliar, refers to a sea passage off the northern coast of Scotland. It is famous for a persistent whirlpool, which is the subject of myths, legends, and lost souls.

There are but hours left in the year as I sit and sip and ponder, staring into that swirly abyss.

“The year went by fast.”

“The year can’t end soon enough.”

“2016, you monster!”

All true. All false.

All depends on your perspective.

I fancy no one ever said it better than Dickens, writing the intro to A Tale of Two Cities — “It was the best of times, it was the worst of times ” — but I imagine even that wily old wordsmith would look around at 2016, then quietly strike through half of that famous opening. The hopeful-sounding half, obviously.

And yet … can’t we, in every age, look at those words and think they apply? Are we not always lurching from the spring of hope to the winter of despair? Did not half (or, er, just shy of half) of American voters actually want an evil tangerine in the Oval Office?

I look around, and beyond the doom, I see a swirly mix of all that is wrong and right with the world. For every dark bastard, I see a hopeful naif. For every disillusioned Baby Boomer, a determined millennial.

I see the growing ranks of those who would, through active malice or indifferent selfishness, drag us to the dark depths.

Yet I see still more struggling against these currents to stay in the light.

Today’s solemn conclusion: What matters when a clock strikes midnight?

Today’s toast: To passing the time: May you do so with a suitable dram, in the company of friends.

2016 Whisky Wind-down, 3: Blended


Today’s dram: Johnnie Walker, Double Black

Today’s tasting notes: I haven’t said much about blended Scotch whisky.

In truth, I’m not a huge fan.

What a lot of people think of as everyday or ordinary Scotch whisky, the sort of thing you might mix into a Rob Roy or a Rusty Nail, isn’t to my taste. I find most blends too easy-going, and I prefer the more interesting profiles of single malts.

Having said that, ain’t nothing wrong with a good blend. And I try, really try, not to be snobbish about this. (Or other things. Success is variable.)

Johnnie Walker makes some of the best-known and best-selling Scotch whisky around, and it’s all blends, sold by color. Hell if I can be bothered to get into figuring out what the various colors represent.

What they are, though, is successful. John Walker & Sons started blending and bottling in 1820, and they’re still around for a reason. They make good whisky.

Back in Whisky Wind-down 23 I wrote about Johnnie Walker Black: “There is smoke there. Not faint, either. Distinct. Not Laphroaig, mind, but then what is? Otherwise, smooth. Very. Not much peat to speak of, but there. It’s Scotch whisky, for sure, and if you’re not a Scotch whisky drinker this might well bowl you over.”

Double Black, then, is a more intense version of Black, per the marketing.

Since Black is smoky enough to get your attention if you’re used to easy-going Scotch whisky then Double Black should be more so, yes?

Oh, yes.

It has an aroma of smoked honey, and it tastes sweet and smooth. There is peat and smoke on the tongue, and on the finish, but it glides down and fades fast. I’d call this a very approachable whisky. Maybe it could be a gateway whisky for someone looking to get more adventurous.

Today’s thoughts: I grew up in a fairly conservative part of the country. I had what you might call a traditional evangelical upbringing, and though I don’t intend — today, at least — to get into religion as a topic unto itself, I want to make the point that this upbringing included homophobia. I say that not to lay blame or make attack; it is simply a fact of how I was raised.

The first gay person I knew personally was a band-mate who came out toward the end of his junior year of high school. I was a freshman at the time, and while I “knew” then that gayness was “wrong,” I also knew this guy personally. Not well. We weren’t in classes together, and we were in different sections of the band, but I knew him. The fact he was brave enough, in a small rural southern high school, to come out at 17 and boldly be who he was, to weather the storm of small town scorn … 25 years later I think of him as a hero.

I only wish I had been brave enough, myself, to realize that at the time and tell him so. To have gotten to know him better. To have been not just a fellow musician, but a friend.

The fact that I wasn’t actively rude to him isn’t enough, to me, to justify not being a better person. Standing by isn’t collaboration, but it might as well be. I wanted to be a better person, but I was afraid.

Afraid to step up, yes, but mostly afraid that maybe the bigots were right.

Fear, coupled with religion, held me back. When “God” tells you it’s okay to fear The Other, well, shit, what’s a fellar to do, son?

Get out.

I left that small rural town and that evangelical faith and, eventually, that homophobia.

It wasn’t overnight, and it wasn’t because of any one person.

It was, like much else in my education, a matter of getting away from myself and my upbringing and the tiny world I grew up in and finding the larger, more diverse world around me.

Then losing my fear of it.

Friendships came later.

Good friendships. The sort who share milestone birthdays and good whisky.

Day to day, I don’t think about this much.

Then sometimes I look around, at the game table, or at the bar, or at a party, at the people surrounding me, and I realize how far I’ve come from that scared kid I used to be.

I don’t pretend my journey is anything next to theirs.

Ultimately, a straight white guy is likely to be comfortable pretty much anywhere.

Too many, though, prefer to stay comfortable where they started.

As much as I’d like to go back and tell my scared former self to get over it, I want to tell the rest of the scared folk back home, the ones who stayed, the ones who cower, the ones who still hate whom the preacher tells them, just how very small their world is.

Today’s note on compassion: We’re all afraid. Those of us who have it easiest have the greatest obligation to overcome our fears and stand for others.

Today’s toast: To growing up, breaking out, and journeying on.